Getting The Shot
I’ve always considered myself as a pretty average photographer, who just happens to find himself and his camera in un-average places. That was until last year when I gave a slideshow at the Gigon film festival in Northern Spain. The talk when t well, and afterwards the organizer came up and told me my climbing photos where the best he’d ever seen. Knowing that Heinz Zak had done a slideshow the year before, I asked if his weren’t better. “No” he said “he is only a photographer….you are an artist!”
Well I’m not sold on the idea, but lots of people e-mail asking about photography, so here’s a simple list of thoughts and ideas that might help those who aspire to be more than just a photographer!
Take a camera
Yes it may sound obvious but many people don’t take a camera. In my opinion there is always something to shoot, and leaving your camera at home will guarantee you miss some amazing shot…like Concorde crashing into the Orion Face or something.
Don’t get hung up with technology (don’t be a camera nerd)
There are those who take photos and there are those who talk about them. What you shoot is far more important than what you shoot it with, be it a mobile phone, disposable camera or a home made pin hole job. The image gives the photo life, not it’s DPI, and in my experience it’s out of focus, thumb obscured shots that people remember. Real life isn’t 300 dpi, it’s also not in focus…well not if it’s any good.
Have your camera where you can us it
It’s no good having your camera in your rucksack lid. Get a camera pouch, hang it around your neck, stick it in a pocket.
Take photos when you leave want to
The best climbing shots, and by that I don’t me posed mag porn shots, are similar to good war photography. They are real and are dangerous to catch. Mid pitch, mid storm, mental breakdown, they show a climber and climbers at their most vulnerable.
Catch people off guard
I hate the shots in mags where the climber knows they are being shot. What you see isn’t the real climber, it’s what the climber wants you to see. A good example of this are wanky shots of people slacklining. Give me a break. A good example are the images from Steve Houses ‘s ascent of Nanga Parbat. Basically you need to shoot people when they are at their most pissed off, scared or vulnerable. So no saying cheese. People like Dean Potter only exist in magazines.
Take lots of shots
Digital or slide, make sure you take lots of shots. Try and photo graph each part of the climb, everything from getting out of the car to getting back to the car. Imagine you have to make a slideshow out of the climb.
A good portrait of a knackered friend or climbing partner will tell far more then a shot of a crag. take shots both in portrait and landscape, placing the head and shoulder to either end of the frame.
Don’t forget details
What is it that you remember about a climb? Is it the big things or the small? Why not capture both. Take shots of frozen krabs, your partners crampon points, helmet stickers, you name it.
Act up for the camera
Humor is what keeps most climbers sane, so make sure you capture it. Crazy faces, stupid visual gags, naked men with sheep. These shots are gold dust!
Look at other photographer’s images
One of the best places to check out great candid shots is the Patagonia catalogue. Find photographers you like and get ideas from their shots. Look beyond climbing by looking in photo books by documentary photographers.
Keep it real
Don’t let magazines skew your view of good climbing photography. Do what you do, and show it to who wants to see it.
The gallery on this sites isn’t that good, so for some ideas about what I’m talking about have a look at my Flickr images.